For (dis)junctions 2012, we are seeking papers that explore the construction and definition of “narrative” in all its mediated and mediating forms. The word narrative is typically associated with storytelling and plot, but for this year’s conference we want to understand “narrative” as any instance of producing meaning or “truth.” In this regard, a piece of literary criticism, while often explicating a literary narrative, is a type of narrative in itself. Further, in an attempt to be at once inclusive and provocative, we want to think about the way disciplines across the academy each work to construct particular narratives. History, for instance, seeks to understand the past through contending narratives; the Sciences constantly revises dominant narratives of the physical world; and even music, while not verbal, still has a trace of narrative in its composition, framed by a beginning and end. To what extent do narratives (in a broad sense of the term) reflect, challenge, or create a sense of both oneself and one’s world? Does the medium act as a link between the reader/viewer/listener and the “real,” or does the medium come to define the real? How do different academic discourses mediate and create new ontological narratives?