Editors’ Choice: How Not to Teach Digital Humanities

The following is a talk I’ve revised over the past few years. It began with a post on “curricular incursion”, the ideas of which developed through a talk at DH2013 and two invited talks, one at the University of Michigan’s Institute for the Humanities in March 2014 and another at the Freedman Center for Digital Scholarship’s “Pedagogy and Practices” Colloquium at Case Western Reserve University in November 2014. I’ve embedded a video from the latter presentation at the bottom of the article. I am hoping to revise just a bit more for the forthcoming Debates in Digital Humanities Series, and so welcome your comments and suggestions on this draft.

In late summer of 2010, I arrived on the campus of St. Norbert College in De Pere, Wisconsin. I was a newly-minted assistant professor, brimming with optimism, and the field with which I increasingly identified my work—this “digital humanities”—had just been declared “the first ‘next big thing’ in a long time” by William Pannapacker in his Chronicle of Higher Education column. “We are now realizing,” Pannapacker had written of the professors gathered at the Modern Language Association’s annual convention, “that resistance is futile.” So of course I immediately proposed a new “Introduction to Digital Humanities” course for upper-level undergraduates at St. Norbert. My syllabus was, perhaps, hastily constructed—patched together from “Intro to DH” syllabi in a Zotero group—but surely it would pass muster. They had hired me, after all; surely they were keen to see digital humanities in the curriculum. In any case, how could the curricular committee reject “the next big thing?” particularly when resistance was futile?

Read More: How Not to Teach Digital Humanities | Ryan Cordell.

This content was selected for Digital Humanities Now by Editor-in-Chief Amanda Regan based on nominations by Editors-at-Large: Caitlin Christian-Lamb, Anu Paul, and Myriam Mertens