Author: Kelsey Chatlosh

I am a History PhD student at George Mason University and a Digital History Fellow at the RRCHNM.

Resource: Kicking off the GCDI Sound Series – A Workshop on Sound

About the resource:

Later today, I am teaching a workshop on sound, kicking off our new GCDI Sound Series. In the workshop I will review a variety of digital tools, techniques and concepts for recording, editing and sharing sound… Like the workshops led by previous Digital Fellows, my workshop is publicly available to follow online. Currently, it is available through Google slides and it will soon also be available on my GitHub repository.

Read more here.

Report: The 2017 Grace Hopper Celebration of Women in Computing

From the report:

I’m filing this conference report from the annual Grace Hopper Celebration of Women in Computing, which just wrapped in Orlando, Florida. The conference is a project of Anita B.org, which has been a community for women in computing since 1987. According to the GHC conference website, it’s the largest gathering of women in computing in the world; this year, it sold out within hours, and they estimate over 18,000 attendees were on site. As the name suggests, it skews towards computing (and women), so it’s a great fit for HASTAC folks who identify as women and are interested in a few days of being steeped in academic and industry tech.

Read the full report here.

Editors’ Choice: The Suffrage Postcard Project – A Replica Archive

At the 2017 Australian Historical Association Conference, in a panel about digital history, Professor Victoria Haskins discussed what she described as a “replica archive.”  Haskins’ research is concerned with Indigenous domestic servants in Australia and the United States – women whose lives, she rightly notes, are often difficult to uncover in the archives.  Technology, however, has fundamentally changed the relationship historians have with archives.  Following the hours and hours of archival research undertaken across her long and distinguished career, Haskins has amassed copious photographs and photocopies which feature the voices of these women.  Bringing together these photographic fragments from many archives, Haskins suggests, creates a new archive – a replica archive.

The Suffrage Postcard Project can likewise be seen as a replica archive.  Women’s suffrage postcards, though considered ephemeral at their time of production, were numerous.  Postcard scholar Kenneth Florey suggests that more than 1000 suffrage-related postcards were printed in the United States during the 1910s and approximately 2000 in Britain.[1]  Suffrage memorabilia more generally was received enthusiastically by the American and British public, especially in the years prior to World War I.[2]

The majority of the women’s suffrage postcards were printed during the 1910s, a decade which would see the acquisition of qualified suffrage for British women in 1918 and the passing of the Nineteenth Amendment in the United States by 1920.  This era is broadly described by scholars as the “golden age” of picture postcards.[3]

Women’s suffrage postcards were so numerous, in fact, that even today such ephemera is not inscrutably hidden in the archives.  Many archival collections, especially those which focus upon women’s history, hold large collections of suffrage postcards – for example, at Harvard University’s Arthur and Elizabeth Schlesinger Library on the History of Women in America and the Women’s Library at the London School of Economics.  Such collections feature both pro-suffrage and anti-suffrage postcards, which were predominantly produced during the first two decades of the twentieth century.  Suffrage organizations and commercial publishers alike produced women’s suffrage postcards.

But the partial nature of such collections, together with the geographical dispersion of the archives themselves, means scholars can only ever gain a fragmentary perspective.  Though archives such as these are partially digitized, they are often largely inaccessible to the public.  Aware of such limitations, Florey published his seminal work, American Woman Suffrage Postcards: A Study and Catalog (2015).  Bringing together digitally as many women’s suffrage postcards as possible, The Suffrage Postcard Project goes a step further.

 

Read the full post here.

Resource: Zines vs. Google Vision API

From the post:

Everyone likes zines. If you went to library school your probably really love zines. Even if you didn’t go to library school, you still probably like zines. Even Kanye likes zines. However much I like them I don’t really have too much experience with them. While I worked at NYPL I knew about the library zine collection. Other institutions around NYC house large important zine collections as well. But while reading about a large accession to University of Kansas Libraries zine collection from Solidarity! Revolutionary Center and Radical Library I saw they had a number of them already up on Internet Archive.

Read more here.

Resource: Data Privacy Project

From the post:

The goal of our trainings is to learn the building blocks of privacy protection and digital security. Our teachings focus on activities patrons do every day at the library so that library staff can develop the capacity to:

By beginning with common patron experiences, the Data Privacy Project makes learning about privacy protections relevant to the everyday realities of libraries today.

Access resource here.

Editors’ Choice: Ed-Tech in a Time of Trump

My talks – and I guess I’ll warn you in advance if you aren’t familiar with my work – are not known for being full of hope. Or rather I’ve never believed the hype that we should put all our faith in, rest all our hope on technology. But I’ve never been hopeless. I’ve never believed humans are powerless. I’ve never believed we could not act or we could not do better. There were a couple of days, following our decision about the title and topic of this keynote – “Ed-Tech in a Time of Trump,” when I wondered if we’d even see a Trump presidency. Would some revelation about his business dealings, his relationship with Russia, his disdain for the Constitution prevent his inauguration? Should we have been so lucky, I suppose. Hope.

Read full post here.

Editors’ Choice: How AI is Revolutionising the Role of the Literary Critic

Where do witches come from, and what do those places have in common? While browsing a large collection of traditional Danish folktales, the folklorist Timothy Tangherlini and his colleague Peter Broadwell, both at the University of California, Los Angeles, decided to find out. Armed with a geographical index and some 30,000 stories, they developed WitchHunter, an interactive ‘geo-semantic’ map of Denmark that highlights the hotspots for witchcraft.

Read full post here.

CFP: DHSI Colloquium

From the CFP:

Proposals are now being accepted for presentations at the Digital Humanities Summer Institute Colloquium, to be held in June 2017 at the University of Victoria. Open to all, the DHSI Colloquium offers an opportunity to present research and projects within an engaging, collegial atmosphere. Submissions are peer-reviewed, with participants subsequently invited to contribute to a DHSI-themed special issue in an open-access journal.

Read full CFP here.

Editor’s Choice: Researcher 2020, Does the Library Still Matter to Social Scientists?

The library has always been a fundamental partner in the research process. But key changes in the information, technology, economic, and scholarly environments are challenging this relationship and raising critical questions about the value and impact of the library in scholarship and its working relationship with scholars in the social sciences.

Read full post here.