1. Home
  2. Author Archives

CFP: Museum Conference 2012

Museum Conference 2012 – Europe’s big conference on social and digital media for Museums.

MuseumNext is Europe’s big conference on social and digital media within the museum
sector. We believe that technology is changing the expectations of museum audiences. They
no longer want to have information just broadcasted at them, they want to create, to curate
and to co-produce experiences.

In 2012 MuseumNext will be held in Barcelona, in partnership with three of Spain’s leading
museums, Centre de Cultura Contemporánea de Barcelona (CCCB), Museu d’Art Contemporani de Barcelona (MACBA) and Museu Picasso de Barcelona.

Resource: IMAmuseum/ChicagoCodeX

IMAmuseum/ChicagoCodeX – GitHub.

ChicagoCodeX (CCX) provides an authoring and publishing environment for online catalogues with full scholarly apparatus; intuitive book-like navigation; robust presentation tools for complex, multilayered images; and personalized reader annotation tools….

The authors are pleased to provide this program to you under the terms of the GNU General Public License. However, the authors request the use of the phrase, “Powered by ChicagoCodeX (CCX)” in your publications as part of the equivalent to a colophon or copyright page

Job: Assistant Professor, Digital Humanities at The New School

The New School Job Site.

Eugene Lang College, the New School for Liberal Arts, is seeking a full-time, tenure-track Assistant Professor of Digital Humanities whose research and teaching in the humanities engages the digital era: its theory, culture, politics, and ideology, modes of distribution and consumption, or historicity.

The position will begin in September 2012, and the search is open to candidates with a Ph.D. (awarded no later than December 2011) in a range of fields, including cultural studies, media studies, literature, and history.

Ongoing Conversation: Save Scholarly Ideas, Not the Publishing Industry

Save Scholarly Ideas, Not the Publishing Industry (a rant) « Social Media Collective.

… But what I want to know is this:

  • What are *you* doing to resist the corporate stranglehold over scholarly knowledge in order to make your knowledge broadly accessible?
  • What are the five things that you think that other scholars should do to help challenge the status quo?

Please, I beg you, regardless of whether or not we can save a dying industry, let’s collectively figure out how to save the value that prompted its creation: making scholarly knowledge widely accessible

Editors’ Choice: Spatializing Photographic Archives

Spatializing photographic archives, a project funded by the National Endowment for the Humanities, entailed the release of open source software for recovering the 3D geometry of a location from photographs taken from diverse angles (and even at different times); and a case study of Richard Misrach’s landscape photography demonstrating the value of this approach for scholars.

We’ve now completed an extensive and carefully illustrated White Paper for this NEH-sponsored project, a large pdf of which you may find here. (26.5mb).

The White Paper describes the open-source software tool we’ve developed, and our reasons for wanting to forge a new approach to making digital tool for scholars. It also examines the implications of our approach for photography.

Resource: The Marriage of Standards and Access: Centralized Services as a Tool for Collaboration, Publication and Curation

By Elijah Meeks

…This is fundamentally an argument directed at administrators looking to support digital humanities work at their universities and not researchers looking to perform digital humanities work, but it is meant to push that latter group toward agitating for action from the former. I’ve had enough experience now with digital humanities projects to know that when you’re collaborating with computer scientists or contracting developer resources without a sense of standardized, centralized resources, then the data, code and tool decisions tend to be made based on expediency or a desire to experiment with new, unsupported and/or experimental technologies.

Opportunity: Announcing the UM Press/HASTAC Publication Prize in Digital Humanities

In conjunction with the University of Michigan’s hosting of the 2011 international HASTAC V conference on Digital Scholarly Communication and recentlaunch of the University of Michigan Press Series in Digital Humanities, the Press and HASTAC (the Humanities, Arts, Science, and Technology Advanced Collaboratory) are pleased to announce the UM Press/HASTAC Publication Prize in Digital Humanities. The prize, which is funded by the University’s Institute for the Humanities, will be awarded to two innovative and important projects that display critical and rigorous engagement in the field of Digital Humanities.