The Organizing Committee for the Philadelphia Society for the History of Authorship, Reading & Publishing (SHARP) Conference 2013 announces a second Call for Proposals: for digital projects related to book history and bibliography. These may include but are not limited to research tools, apps and software, bibliographies or databases, corpora of media or texts, digitization initiatives,…

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ESA RN18 focuses in its conference stream on the discussion of how crisis, critique and societal changes shape the study of media, communication & society today. The overall questions we want to address are: * Which crises (including the financial and economic crisis of capitalism, global wars and conflicts, ecological crisis, the crisis of democracy,…

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CfP: The Music Encoding Conference 2013. You are cordially invited to participate in the Music Encoding Conference 2013 – Concepts, Methods, Editions, to be held 22-24 May, 2013, at the Mainz Academy for Literature and Sciences in Mainz, Germany. Music encoding is now a prominent feature of various areas in musicology and music librarianship. The encoding of…

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CFP: Emerging Genres, Forms, and Narratives in New Media Environments – Conference at NC State | HASTAC. Call for Papers Emerging Genres, Forms, Narratives-in New Media Environments Research Symposium 19-20 April 2013 Program in Communication, Rhetoric, and Digital Media (CRDM) North Carolina State University Submission deadline: 1 February 2013 The 2013 CRDM Research Symposium will…

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Call: European Sociological Association (ESA) 2013 Conference: RN18 – Sociology of Communications and Media Research: Communication, Crisis, Critique and Change | Christian Fuchs. European Sociological Association 2013 Conference: Crisis, Critique and Change August 28-31, 2013. Torino, Italy http://www.esa11thconference.eu Full CfP as PDF Call for Abstracts by Research Network 18 – Sociology of Communications and Media Research: Communication, Crisis,…

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This is a multi-disciplinary conference aimed at a wide range of history and heritage practitioners making no distinction between professionals and non-professionals. Papers are thus invited from academic historians, those working or volunteering in the museum, heritage and archives sectors, those working in the media, film makers, funding bodies, policy makers, publishers, along with family,…

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