Month: January 2012

In previous posts, I’ve shown how WordSeer can be used to explore small, well-defined questions:what word did Shakespeare use for ‘beautiful’? Is the occurrence of the word ‘love’ the same in the comedies and tragedies? This post is different. WordSeer has now developed enough to support a simple, but complete, exploratory analysis.

The question we’ll think about is this:

As one answer, we’ll see how WordSeer suggests that when love is a major plot point, the language referring to women changes to become more physical, and the language referring to men becomes more sentimental. You can watch a screencast here, or just read this post.

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The monologue in a crowdsourced world: have digital resources rendered the inaugural lecture obsolete?

The longer I work in DH, and the more I consider what the digital medium makes possible the more the idea of me standing up and telling people what I think and thus by implication what they might think seems frankly bizarre. I increasingly dislike the idea of the single voice speaking with some kind of a spurious authority. One of the great assets of the digital, and what it encourages and enables is multiple voices entering into a dialogue and creating new knowledge out of conversation and discussion. In what follows, therefore, I propose to look carefully at this apparent contradiction.

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As I continue to plan out this spring’s Digitizing Folk Music Historycourse with the ace librarians, archivists, and technologists at Northwestern University’s library, I keep returning to the concept of annotation as a core concern for digital historians.

I suspect that literary scholars have done a lot of thinking about annotation, but have historians? Chauncey Monte-Sano has a good post about teaching annotation on the teachinghistory.org website. Her post is directed toward K-12 education (important!). But I think the art of annotation also has bigger implications for historical teaching at the undergraduate and graduate levels. So too, it proposes new modes of research, publication, and scholarly communication in the field of history.