If you missed the event, or want to experience it again, you can view the video archive of the event here
the URL for the archive is: https://alapublishing.webex.com/alapublishing/lsr.php?AT=pb&SP=EC&rID=4742212&rKey=1b36dc291d7a1f59
We were surprised to hear during the December 16, 2011 NITLE web seminar on undergraduate digital humanities (DH) instruction a recurring motif along the lines that coding (markup and programming) is so difficult that undergraduates trained in the humanities cannot learn it quickly or successfully, and so potentially alienating and anxiety-provoking that it should be regarded as too advanced to be considered a core component of the undergraduate DH curriculum. As two undergraduate humanities majors (English Literature and Linguistics) with no prior technical background, we would like to share our own experiences with learning and using computational tools. We hope that our very positive experience will encourage faculty elsewhere to give their undergraduate students the opportunity to become deeply and seriously involved with this exciting and rewarding aspect of DH.
Join the conversation The DataEDGE conference at UC Berkeley will bring together senior industry and academic leaders for a conversation about the challenges and opportunities for higher education created by the rise of big data.
Quinn Dombrowski and I are writing a manual on using the Drupal 7 CMS for digital humanities projects. Titled unimaginatively Drupal for Humanists, it is meant to provide first an understanding of how to install and configure Drupal and then a series of case studies representative of Drupal’s use in humanities research and the library.
The general focus of the Junior Fellows Program is on increasing access to the collections and an awareness of the Library’s copyright, legal and special collections and digital initiatives. In the past, projects have been developed to make the collections better known and accessible to researchers including scholars, students, teachers, knowledge creators, and the general public. Interns help the Library expose unprocessed collections, participate in digital projects, provide additional services to Congress and the public, and make our collections more immediately accessible to scholars. Interns work under the direction of Library curators and specialists in various divisions. In the past, summer interns have identified hundreds of historical, literary, artistic, cinematic and musical gems representing rich cultural, creative, and intellectual resources. United States citizens currently enrolled in undergraduate or graduate school.
Today we’re delighted to announce that Zotero 3.0 has officially arrived Zotero 3.0 marks a major departure from previous versions, most notably with the new ability run outside the Firefox browser. Available for Mac, Windows, and Linux, this standalone version of Zotero contains all the great functionality of the old Firefox-based Zotero but now enables users to integrate Zotero into browsers other than Firefox like Google Chrome and Apple Safari. To all you Firefox lovers out there, no need to worry! Zotero continues to work within Firefox, and even if you choose to run the standalone version, it will talk to Firefox, too.
“From margin to mainstream: mobile technologies transforming lives and libraries”
24-26 September 2012 at the Open University, UK
Mobile technology has transformed so many aspects of our lives: how we work, how we communicate, how we study and how we play. Since the first successful M-libraries conference in 2007, libraries around the world have made huge advances in harnessing the technology to improve and enhance their services. The Fourth international conference will bring together researchers, technical developers, managers, educators, and library practitioners to review achievements to date and consider the creative challenges and opportunities ahead.
An open petition to Oppose HR3699, the Research Works Act on the whitehouse.gov site.
The Academy of Motion Picture Arts and Sciences has released “The Digital Dilemma 2: Perspectives from Independent Filmmakers, Documentarians and Nonprofit Audiovisual Archives” (registration required).
