The Postcolonial Digital Humanities (#dhpoco) engages postcolonial studies to address global issues relating to race, gender, class, sexuality, and disability within cultures of technology while bringing the activist praxis of the digital humanities to the work of postcolonial studies. Co-founders Adeline Koh and Roopika Risam will discuss the theoretical underpinnings of #dhpoco and outline the…

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The Open Access Button is a browser-based tool that lets users track when they are denied access to research, then search for alternative access to the article. Each time a user encounters a paywall, he simply clicks the button in his bookmark bar, fills out an optional dialogue box, and his experience is added to…

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The Shelley-Godwin Archive will provide the digitized manuscripts of Percy Bysshe Shelley, Mary Wollstonecraft Shelley, William Godwin, and Mary Wollstonecraft, bringing together online for the first time ever the widely dispersed handwritten legacy of this uniquely gifted family of writers. The result of a partnership between the New York Public Library and the Maryland Institute…

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Smithsonian X 3D launches a set of use cases which apply various 3D capture methods to iconic collection objects, as well as scientific missions.  Learn about the fascinating features of the new Smithsonian X 3D Explorer and how to navigate, explore and manipulate 3D collection objects. This article gives you a comprehensive overview. Continue reading…

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We are proud to announce the latest title from digitalculturebooks, Writing History in the Digital Age edited by Kristen Nawrotzki and Jack Dougherty. This book is the third title in our Digital Humanities series and began as a “what-if” experiment by posing a question: How have Internet technologies influenced how historians think, teach, author, and…

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The Smithsonian—the world’s largest museum and research complex, with collections numbering in excess of 137 million objects and specimens—has long experimented on the digital frontier. In his book, “Best of Both Worlds: Museums, Libraries, and Archives in a Digital Age,” G. Wayne Clough, the Smithsonian’s 12th Secretary, surveys the efforts of many world-class institutions, including…

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The historical record of the American Civil War includes a vast amount of visual material—photographs, illustrated news periodicals, comic publications, individually-published prints, almanacs, political cartoons, illustrated envelopes, trade cards, greeting cards, sheet music covers, money, and more. The era’s visual media heralded an unprecedented change in the production and availability of pictorial media in everyday…

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