The ultimate guide on how to write alt text and image descriptions for the visually impaired, written by someone with low vision who uses alt text. I started writing guides on how to write alt text and image descriptions for the visually impaired people like me who have to guess what is in an image […]
A 23-page standard-size, full-color zine co-created by Quinn Dombrowski, Tessa Walsh, Anna Kijas, Ilya Kreymer, and Amanda Wyatt Visconti. DIY Web Archiving shows you why everyone should participate in preserving the things on the web they care about, and how anyone can do so (no special expertise required!). Based on the 11/25/2024 virtual workshop co-sponsored […]
Interested in being part of the editorial process for DHNow? We are pleased to announce our call for guest editors! This role is critical to helping DHNow reflect community interests,ideas, and opportunities. Our new Guest Editor program gives volunteers more agency in the publication process, directly selecting an Editors’ Choice post each week. They sign […]
It is difficult to exaggerate the impact of AI on academia in general and on scholarly publishing in particular. Tools such as ChatGPT and Claude have made it possible for anyone to turn free-floating information into what looks like knowledge using a combination of real and artificial intelligence. There are many open questions and knotty […]
I’m sharing the product of five hours of work with Claude Cowork spread over a day. I have been using Cowork now for ten days and this is my biggest project to date. I’m an historian, not a coder. Cowork has been a revelation. The product is a static five annotation layer IIIF viewer for […]
How do researchers, journalists, and artists work with archived pages from the Internet Archive’s Wayback Machine? What kinds of tools, methods, and approaches do they use? What other kinds of tools might support critical and creative repurposing of archived web materials? As web archives have come to play an increasingly important role in understanding, reporting […]
Generative Artificial Intelligence (GAI) is not neutral; neither is it generative, nor intelligent. It is a colonial technology of extraction and replication, built on stolen data, racialized labor, and computational enclosures of language and image. It materializes what Ruha Benjamin (2019) calls “the New Jim Code” and what Safiya Noble (2018) has shown as the […]
The University of Sheffield’s Digital Humanities Institute is delighted to announce that its two-day conference will be held in Sheffield on Wednesday 2nd and Thursday 3rd September 2026. This will be a physical conference only. Digital humanities is understood by Sheffield to mean the use of technology within arts, heritage and humanities research as both […]
The Faculty of Arts is in the process of establishing an MA Programme in AI Humanities, with two emphases or streams: AI and Creative Expression, AI and Language Innovation. “AI and Creative Expression” focuses on the intersection of AI and art tech, cultural production, and creative expression, enabling graduates to expand their engagement with AI […]
This issue was curated by Colleen Nugent McLean, DHNow Project Manager and Zhihui Zou, DHNow Guest Editor. Our first Editors’ Choice argues that generative AI has fundamentally shifted which disciplines are considered most valuable. The second selection considers the importance of making informed decisions when creating data visualizations. Our third selection features an oral history […]
