The National Digital Stewardship Alliance Infrastructure working group has been conducting a year-long exploration of NDSA member preservation storage systems. This is the first of what will hopefully be a series of posts discussing some of the results of a survey of the membership’s approaches to preservation storage.
Europeana has released The Problem of the Yellow Milkmaid: A Business Model Perspective on Open Metadata (PDF).
How does an invisible system shape the experience of an end user?
I found myself pondering this question again and again throughout the 2011 Chicago Colloquium on Digital Humanities and Computer Science, which took place November 20-21. This event is jointly sponsored each year by Northwestern University, Loyola University, University of Chicago, and the Illinois Institute of Technology.
This report provides a synopsis of the presentations as well as the broader group discussion of the summit. More specifically, this report highlights key emergent themes and concludes with recommendations for strategic research directions for advancing the state of knowledge and practice in the curation of research data. Briefs of the individual presentations are provided at the end of the report.
Over the past year, the working group has been engaged in a project to identify, describe and contextualize established and emerging digital preservation standards, best practices and guidance documents.
On Wednesday, November 9, 2011, the Center for History of Print and Digital Cultural at the University of Wisconsin at Madison hosted Dr. John Unsworth for the 2011 Wisconsin Distinguished Lecture in LIS.
THATCamp Publishing in Baltimore, an “unconference” that explored some pressing new questions, such as
1. Who should publish digital scholarly research?
2. Should digital academic research be published by the university press, or the university library?
3. How should the process of peer review change?
4. And finally, who should provide the work that goes into producing a publication—editing, peer review, administration and graphics?
This report sets out to identify examples of integration between datasets and publications. Findings from existing studies carried out by PARSE. Insight, RIN, SURF and various recent publications are synthesized and examined in relation to three distinct disciplinary groups in order to identify opportunities in the integration of data.
The QRator project, a collaboration between UCLDH, CASA and UCL Museums, funded by the Beacon for Public Engagement, has been chosen for inclusion in the 2011 Museum edition of the Horizon report, produced by the New Media Consortium.
Last week Digital Humanities Now (@dhnow) was relaunched. This experiment in how we evaluate scholarship begs the question, how will our colleagues outside the digital humanities evaluate our digital work? How can we make our work legible to them? This was the subject of yesterday’s impromptu videoconference discussion.