This is the first post in Data Praxis, a new series edited by Thomas Padilla. Data Praxis highlights a range of perspectives on the practice of digitally inflected research, pedagogy, curation, and collection building and augmentation. Topics span methods and tools in the context of research questions and/or exploratory trajectories, and extend to consider reflections on data definition, access, curation, sharing, and reuse. This first post features a conversation between Matthew Lincoln and Thomas Padilla concerning data driven art history.
