Editors' Choice

Editors’ Choice: Digital Journalism and Digital Humanities

I’ve increasingly felt that digital journalism and digital humanities are kindred spirits, and that more commerce between the two could be mutually beneficial. That sentiment was confirmed by the extremely positive reaction on Twitter to a brief comment I made on the launch of Knight-Mozilla OpenNews, including from Jon Christensen (of the Bill Lane Center for the American West at Stanford, and […]

Editors' Choice

Editors’ Choice: Stanley Fish and the Digital Humanities

Is there or should there be a Digital Humanities? My very short answer to both questions is “no” and “no.” In a slightly longer answer I concede that a phrase must be about something if it is gaining currency. For me the something of the term is about the trouble that the humanities have had […]

Editors' Choice

Editors’ Choice: Emerging Learning Technologies

Interview of Bryan Alexander by Howard Rheingold What does it mean to read on a Kindle, to read on an iPad, to read on a phone? Are we in the era of social reading, where you and I can read the same book, and then share annotations through the web or through mutual devices? Trying […]

Editors' Choice

Editors’ Choice: The Fetishization of Data

Courses of study will place much more emphasis on the analysis of data. Gen. George Marshall famously told a Princeton commencement audience that it was impossible to think seriously about the future of postwar Europe without giving close attention to Thucydides on the Peloponnesian War. Of course, we’ll always learn from history. But the capacity […]

Editors' Choice

Editors’ Choice: Poor Man’s Sentiment Analysis

Though I usually work with the Bookworm database of Open Library texts, I’ve been playing a bit more with the Google Ngram data sets lately, which have substantial advantages in size, quality, and time period. Largely I use it to check or search for patterns I can then analyze in detail with text-length data; but […]

Editors' Choice

Editors’ Choice: One Provocation for Big Data

I’ve started thinking a lot about Big Data and what it could mean for museums in a time when, as Danah Boyd and Kate Crawford write “The era of Big Data has begun.” …

… if Big Data is becoming increasingly important in research and the constitution of knowledge, and yet museums are not themselves necessarily likely to be the ones using it internally (assuming that our expertise lies elsewhere) how can we then think of continuity and succession planning for our data, to ensure it is useful for other researchers? Is this something we can even achieve?

Editors' Choice

Editors’ Choice: Milo Minderbinder University?

The End of Western Civilization As We Know It

March 21-28, 2008

Over the past couple of years I’ve written a number of posts in which I wrestle with what technological change means for the future of higher educationgeneral education, and history education specifically. Much of my speculating and ranting in these posts has centered on what seems to me to be a clash between the traditional methods by which knowledge is delivered to students (curriculum, teaching) and the world that our students live in (tech-centric, socially networked, etc.).

Editors' Choice

Editors’ Choice: On Sharing With the Right People, or Why Online Metrics to Assess “Impact” Should Be Qualitative (Too)

There has been much talk recently about “maximising” and measuring academic impact through blogging and social media (as well as the academic impact of online publications and resources), but what is not often discussed thoroughly is what the meaning of “maximising” is in this context.

“Maximising” seems to refer to the quantitative, rather than the qualitative, implying that “impact” is necessarily related to how many people or visits or clicks or downloads a given online resource is getting.

Editors' Choice

Editors’ Choice: “Academic History Writing and the Headache of Big Data”

[T]he seven or eight major projects I have co-directed are, from my perspective at least, fragments of a single coherent research agenda and project.

And that project is about the amalgamation of the Digital Humanities with an absolute commitment to a particular kind of history: ‘History from Below’.  They form an attempt to integrate the British Marxist Historical Tradition, with all the assumptions that implies about the roles of history in popular memory, and community engagement, with digital delivery.  In the language of the moment, they are a fragment of what we might discuss as a peculiar flavour of ‘public history’. 

Editors' Choice

Editors’ Choice: Invention and Digital Humanities Navel #dhdebates

Perhaps there are historical reasons why, at this particular moment, the humanities are so self-reflective. No perhaps about it, actually. We are somewhat lost at sea and the “digital” is part of the reason. This does not mean, however, that reflection is productive, and certainly not all reflection is productive…. I am particularly interested in the problem of rethinking rhetorical education to address shifting literacy practices. This, to me, is not narcissistic, though it does involve looking at the rhetorical practices of humanisits since it is fairly clear that what we will teach students is a function of what we do ourselves.

…Composing is a networked phenomenon because thinking is always already relational. I mean you are composing/thinking in words right? You didn’t invent that language, right?