The purpose of this cookbook is to document and discuss the use of RDF in digital humanities. Its focus is specific applications as found in the real world, though a few general principles are suggested. It assumes that you’re vaguely comfortable with RDF and RDFa.
To help prepare leaders who can collaborate, innovate, and produce concrete solutions to common problems, NITLE is launching a new leadership development program called the Innovation Studio. Inspired by start-up accelerators and project-based learning, the Innovation Studio offers a structure for librarians, information technologists, academic support staff, and other qualified candidates from across the NITLE Network to tackle thorny challenges. This competitive program is designed to produce two significant results: innovative solutions to critical issues in liberal education and a set of entrepreneurial, knowledgeable leaders well-prepared to help build a robust future for liberal education.
CGSA (Canadian Game Studies Association), SDH-SEMI (SDH/SEMI. Society for Digital Humanities / Société pour l’étude des médias interactifs) and FSAC/ACEC (Film Studies Association of Canada / Association Canadienne d’études Cinématographiques) are co-sponsoring a cross-listed joint panel at Congress 2012 (http://congress2012.ca/) focussed on the theme of “Occupying Crossroads”. Deadline February 1, 2012.
This section contains a directory of digital historians, guidelines for evaluating digital scholarship, an index of digital scholarship, information on the National Endowment for the Humanities Digital Humanities Start-up Grant, Digital History project reviews, and new media tool reviews.
DHCommons is a hub for people and organizations to find projects to work with, and for projects to find collaborators.
Institute fuer Dokumentologie and Editorik (I-D-E) workshop for Tools for Digital Scholarly Editions was held at the University of Cologne, Germany.
I plan to form a panel on the theme of digital/computational explorations within and around the disciplines of ethnomusicology. The panel would be titled “Digital (Ethno)Musicology.” In this session, the panelists would address the ways in which they have transformed and challenged the conventional modes of field work and ethnographic representation via an engagement with digital media and technology. Since this is a combined meeting with AMS and SMT, I welcome panelists with predominantly musicological inquiries as well.
An updated the sample output from Collatex shows output from user-specified witnesses in the form of (1) an alignment table based on user-specified order, (2) an extracted text of a base text (taking the first specified witness is the base text), (3) generating an apparatus.
This three-week working group aims to develop readings and methodologies of Critical Code Studies, which examines the extra-functional significance of computer source code.
Zone 1 provides an easy-to-use first line of preservation service for use by anyone at Harvard for any digital content.