Author: DH Now

Show how text mining can contribute to historical questions and what sort of issues we can answer, now, using simple tools and big data, this might be the story I’d start with to show how much data we have, and how little things can have different meanings at big scales…

Spelling variations are not a bread-and-butter historical question, and with good reason.  There is nothing at stake in whether someone writes “Pittsburgh” or “Pittsburg.” But precisely because spelling is so arbitrary, we only change it for good reason. And so it can give insights into power, center and periphery, and transmission. One of the insights of cultural history is that the history of practices, however mundane, can be deeply rooted in the history of power and its use.

OPINION: Discovering fun facts by graphing terms found among the 5 million volumes of the Google Books project sure is amusing — but this pursuit dubbed ‘culturomics’ is not the same as being an historian.

Earlier this year, a group of scientists — mostly in mathematics and evolutionary psychology — published an article in Science titled “Quantitative Analysis of Culture Using Millions of Digitized Books.” The authors’ technique, called “culturomics,” would, they said, “extend the boundaries of rigorous quantitative inquiry to a wide array of new phenomena spanning the social sciences and the humanities.” The authors employed a “corpus” of more than 5 million books — 500 billion words — that have been scanned by Google as part of the Google Books project.

Names can shape fields. In the proposal for a panel to be held at the MLA this week, Lori Emerson argued that the introduction of the term “electronic literature” by the founding of the Electronic Literature Organization in 1999, in fact founded the field by creating “a name, a concept, even a brand with which a remarkably diverse range of digital writing practices could identity: electronic literature,” as Lori explains in a blog post. Seen in this perspective, the first book on electronic literature is Loss Glazier’s Digital Poetics in 2001. This renders invisible the very rich theory and practice of electronic literature before 2001 (as