Digital Philology is a new peer-reviewed journal devoted to the study of medieval vernacular texts and cultures. Digital Philology encourages both applied and theoretical research that engages with the digital humanities and shows why and how digital resources require new questions, new approaches, and yield radical results.
The Humanities High Performance Computing Collaboratory (HpC) is a summer institute Funded by the National Endowment for the Humanities. The Humanities High Performance Computing is for graduate students and faculty who are conducting scholarship in the digital humanities.
The Alabama Digital Humanities Center at the University of Alabama is pleased to invite applications for a post-doctoral fellowship in Digital Humanities. The fellowship offers the successful candidate a unique platform for professional advancement: financial and material support for independent research combined with the opportunity to play an instrumental role in nurturing the growing digital humanities community at the University of Alabama.
First and foremost, digitization of natural history collections and tools to make these digitized records available, such as VertNet, support global biodiversity research. We suspect that the majority of use of digitized records will be to generate products such as species distribution models and change assessments, and to answer questions about what is in any given museum collection. However, in the broader context of academic endeavor, these data could also serve as a unique link between the digital sciences and the digital humanities. Work in the digital humanities includes everything from crowdsourcing manuscript transcription to humanistic fabrication to data mining — work that is not so dissimilar in method, description, or data type from that in the digital sciences.
The digital humanities in the West, has been biased towards text as the bearer of culture. The foundational stories and early concerns of computing in the humanities are around concording and text analysis. Humanities computing has branched out to digitize other cultural forms, but even so we tend to focus on digitizing and creating databases of tangible cultural artefacts like paintings, archaeological sites, movies, and so on. By contrast, as I have written before, in Japan a large percentage of the traditional arts from the Bunrako to Noh are in the class of intangible cultural property. Intangible cultural traditions are supported aggressively in Japan through support to individual masters and organizations to support for preservation activities.
The IU Bloomington Libraries are seeking an energetic, innovative and service-oriented individual for the newly created position of Metadata Analyst for the Indiana University Digital Library Program (DLP).
SIG-AH and SIG-VIS (Arts & Humanities, Visualization-Images-Sound) of ASIST are joining forces to examine the digital humanities and information visualization with a group of papers to be published in an upcoming special issue of the Bulletin of the American Society for Information Science and Technology.
Editors’ Note:
The conversation about theory and the digital humanities highlighted in the Theory Round-up last Friday has continued into this week. We’ve added the most recent posts to this list. Please Tweet @dhnow if you have more to suggest. *updated at 3:30pm EST*
A slideshare of the presentation “Creative Commons & Digital Preservation” by Jane Park of Creative Commons.
A Slideshare of the “Born-Digital: An Archival Approach” presentation by Jackie Dooley, Program Officer at OCLC Research to the Digital Library Federation.
