Resource: The museum website as a newspaper – an interview with Walker Art Center
So with all that comes the new Walker Art Center website. Launched yesterday it represents a potential paradigm shift for institutional websites.
So with all that comes the new Walker Art Center website. Launched yesterday it represents a potential paradigm shift for institutional websites.
What are the access requirements for digital cultural heritage collections? This was one of the questions that the National Digital Stewardship Alliance started exploring earlier this year. Different access requirements result in very different kinds of preservation storage systems, and the NDSA Infrastructure working group wanted to know more about the kinds of requirements that are in place for its members’ collections.
In this paper, the authors attempt to identify problematic issues for subject tagging in the humanities, particularly those associated with information objects in digital formats.
The National Digital Stewardship Alliance Infrastructure working group has been conducting a year-long exploration of NDSA member preservation storage systems. This is the first of what will hopefully be a series of posts discussing some of the results of a survey of the membership’s approaches to preservation storage.
Europeana has released The Problem of the Yellow Milkmaid: A Business Model Perspective on Open Metadata (PDF).
Yesterday we held our second webinar of phase 2, “Badge System Models and Design.” It featured a great presentation by Carla Cassilli of Mozilla about the many considerations of designing an effective digital badge system. You can watch the video below, or at http://youtu.be/zCAy5weZyHc, and you can download the slides directly as a PDF right here.
The University of Michigan Press Series in Digital Humanities and HASTAC (the Humanities, Arts, Science, and Technology Advanced Collaboratory) are pleased to announce the UM Press/HASTAC Publication Prize in Digital Humanities. The prize, which is funded by the University’s Institute for the Humanities, will be awarded to two innovative and important projects that display critical and rigorous engagement in the field of Digital Humanities.
How does an invisible system shape the experience of an end user?
I found myself pondering this question again and again throughout the 2011 Chicago Colloquium on Digital Humanities and Computer Science, which took place November 20-21. This event is jointly sponsored each year by Northwestern University, Loyola University, University of Chicago, and the Illinois Institute of Technology.
Please note that the course is now open to PhD students from any COST country (essentially Europe and Israel), and includes bursaries for travel and accommodation.
The Institute of English Studies (London) is pleased to announce the fourth year of ‘Medieval Manuscript Studies in the Digital Age’, an intensive course for PhD students jointly funded by COST and the AHRC, and run in collaboration with King’s College London, the Warburg Institute, and the University of Cambridge.