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In this next installment of our Digital Practitioner Series we’re talking to Mark Sample, Assistant Professor in the Department of English at George Mason University and a faculty affiliate at the Center for History and New Media.

Our interview was prompted by a piece he created (through the “publishing division” of his blog, samplereality.com) called Hacking the Accident. Using the French Oulipo group’s N+7 technique (in which every noun in a text is replaced with the seventh one following it in the dictionary) Sample took advantage of Hacking the Academy’s BY-NC Creative Commons License to produce a document that offers, in his words, “disruptive juxtapositions, startling evocations, and unexpected revelations that ruthless application of the algorithm draws out from the original work.”

2012 Digital Humanities Summer Institute
4-8 June 2012, University of Victoria
We are pleased to announce the 2012 Digital Humanities Summer Institute!  The DHSI at the University of Victoria provides an ideal environment for discussing and learning about new computing technologies and how they are influencing the work of those in the Arts, Humanities and Library communities. The institute takes place across a week of intensive coursework, seminar participation, and lectures. It brings together faculty, staff, and graduate students from different areas of the Arts, Humanities, Library and Archives communities and beyond.

Last week I presented at the Great Lakes College Association’s New Directions workshop on digital humanities (DH), where I tried to answer the question “Why the digital humanities?” But I discovered that an equally important question is “How do you do the digital humanities”?  Although participants seemed to be excited about the potential of digital humanities, some weren’t sure how to get started and where to go for support and training.

Building on the slides I presented at the workshop, I’d like to offer some ideas for how a newcomer might get acquainted with the community and dive into DH work.