I’ve really enjoyed cruising through the Jack Dougherty and Kristen Nawrotzki open peer-review volume called Writing History in the Digital Age which is slated to be published by University of Michigan Press’s new Digital Humanities Series in their digitalculturebooks imprint. I commented on many of the contributions and mined them all for references and ideas. I’d encourage anyone interested or invested in the future of history in the digital age to check out the volume and to contribute to its open peer review. Since I have read all the articles in the volume and have been thinking a bit about history in the digital era myself lately, I thought I might offer some overarching comments on the volume (as is my wont).
I’m a relative newcomer to digital humanities; I’ve been doing this for about a year now. The content of the field has been interesting, but in some ways even more interesting is the way it has transformed my perception of the academy as a social structure. There are clearly going to be debates over the next few years between more and less digitized humanists, and debate is probably a good thing for everyone. But the debate can be much more illuminating if we acknowledge up front that it’s also a tension between two different forms of social organization.
Cross-posted from my “Hawthorne’s Celestial Railroad: A Publication History” development blog at http://blog.celestialrailroad.org/2011/10/the-celestial-railroad-and-the-1861-railroad/
At this January’s MLA Convention, I’ll be presenting on The Society for Textual Scholarship‘s sponsored panel, Text:Image; Visual Studies in the English Major (viewing the panel description may require an MLA membership). I’ll discuss “Mapping the Antebellum Culture of Reprinting,” thinking through my experiments with GIS in the past few years, particularly since attending the GIS course at the Digital Humanities Summer Institute this past summer.
These are my notes “Building and Sharing (When You’re Supposed to be Teaching,” a lightning talk I gave on Tuesday as part of CUNY’s Digital Humanities Initiative. Shannon Mattern (The New School) and I were on a panel called “DH in the Classroom.” Shannon’s enormously inspirational lightning talk was titled Beyond the Seminar Paper, and mine too focused on alternative assignments for students. Our two talks were followed by a long Q&A session, in which I probably learned more from the audience than they did from me. I’ll intersperse my notes with my slides, though you might also want to view the full Prezi (embedded at the end of this post).
“More hack, less yack,” they say. I understand the impulse, and to some degree admire the rough-and-tumble attitude of those in digital humanities whose first priority is Gettin’ Shit Done. Hell, I like Gettin’ Shit Done.
But as I’ve mentioned before, I cannot agree with the distinction between theory* and practice that this sets up, nor the zero-sum logic that it implies (i.e. in order to do more you must speak less).
I’ve long found the complete domination of THATCamp Bootcamps by technical skills from the CS side curious to the point of illogical. (It turns out that this post is an elaboration of my THATCamp SF post of about a year ago.)
Perhaps this has occurred to others, but I was thinking this morning of the word object and the many other words it shares -ject with: project, deject, eject, reject, inject, interject … perhaps you can think of others. Like “object,” most of these words serve as both noun and verb (sometimes as adj.). In most of the etymologies, -ject comes from the Latin jacĕre meaning to throw. In the case of object, the inherited meaning is to throw something before the mind or senses. I suppose the etymology, in this case, could be viewed as unfortunate for OOO, which clearly presents objects as mind-independent, and certainly the evolved and contemporary understanding of object is mind-independent, though even being “objective” still requires a mind.
This is the rough text of a short talk I am scheduled to deliver at a symposium on ‘Future Directions in Book History’ at Cambrdige on the 24th of November 2011.
Luke Dearnley and I were last minute additions to the Web Directions South lineup last week. Coaxed by Maxine Sherrin to do a ‘fireside chat’ we sat comfortably by a digital fire and talked broadly around some of the exciting projects that are happening in the digital heritage space right now.
In this next installment of our Digital Practitioner Series we’re talking to Mark Sample, Assistant Professor in the Department of English at George Mason University and a faculty affiliate at the Center for History and New Media.
Our interview was prompted by a piece he created (through the “publishing division” of his blog, samplereality.com) called Hacking the Accident. Using the French Oulipo group’s N+7 technique (in which every noun in a text is replaced with the seventh one following it in the dictionary) Sample took advantage of Hacking the Academy’s BY-NC Creative Commons License to produce a document that offers, in his words, “disruptive juxtapositions, startling evocations, and unexpected revelations that ruthless application of the algorithm draws out from the original work.”